Blue Audemars Piguet CODE 11.59 Tourbillon

It seems that Audemars Piguet is particularly fond of electro-optical blue this year, and we saw the same electro-optical blue ceramic material in the new CODE 11.59 series that followed. Even if it is the same color and the same material, it has a very different presentation in different series expressions. The history of the CODE 11.59 series is not long, and there were many different voices when it was first launched, but now, we can see that many people will choose this series, which makes Audemars Piguet more choices. Get popular replica Audemars Piguet watches, copy watches, look alike watches at Copywatchalike.is, all watches are all in excellent quality with affordable price.

The middle layer of the case of the new CODE 11.59 series hollow tourbillon watch is made of blue ceramic, which is matched with the 18K white gold bezel and case back, and is limited to 50 pieces. What makes it more eye-catching is not just the color scheme, but the skeletonized dial. The hollow design of the dial benefits from the continuous pursuit and research and development of technology by the watchmakers of the Audemars Piguet brand. Many years ago, I remember participating in an experience class of the brand, where I had a rough understanding of the barb polishing and engraving skills of watches. Now that I see such works of art again, I can’t help but feel the brand’s attitude towards watches. Love from the heart.

Like precious metals and stainless steel materials, ceramic materials still need to be polished by hand. The Audemars Piguet case has an iconic design. Do you have the impression that it is hand-finished with satin brushing and polishing and chamfering. This detail is in the ceramic material. 's watch is now successfully displayed. At the same time, the new timepiece is equipped with a multi-layered Calibre 2948 hand-wound skeleton tourbillon movement. The watchmaker uses blue treatment on the main splint and other parts of the watch, so that the watch can still maintain the consistency of the main tone no matter what angle it is viewed from.